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. | Pirates
of the Caribbean (2003)
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Set
in the 17th century when pirates ruled the seas, The Curse of
the Black Pearl revolves around the attempt by a band of pirates,
lead by the devilish Captain Barbosa, to undo a curse that has
transformed them into the ‘undead’. Only then can
they partake of the treasure that they have uncovered. Thrown
into this premise is Elizabeth Swann, the daughter of a British
Governor, who is kidnapped by Barbosa and his men in the mistaken
belief that she holds the key to the lifting of the curse. In
fact the missing piece in the jigsaw puzzle is Will Turner –
a simple blacksmith whose father was a pirate and who secretly
loves the governor’s daughter. There is also Captain Jack
Sparrow – the most inept pirate sailing the sea. Sparrow’s
allegiances remain unclear throughout the film but he ‘teams
up’ with Turner to rescue the damsel in distress. Pirates of the Caribbean is based upon a theme ride by the same name (are we running a bit short of ideas here?) and like the ride it promises a fun filled outing. In fact, Pirates starts breezily – and the story is set up nicely. The governor’s daughter (played by Bend it like Beckham’s Keira Knightley) is kidnapped and our two swashbuckling stars hijack a ship from the British Navy and set off in pursuit. Depp (Jack Sparrow) and Bloom (Turner) make a dashing pair of leading men though Depp’s appearance is somewhat muted by his ‘pirate persona’. Geoffrey Rush makes an ideal murderous Captain Barbosa – even more so when the moon comes out and the cursed pirates are revealed in their true colours. Unfortunately despite the early promise Pirates never really takes off. The action sequences – mainly over long sword fights – are curiously flat and the thrilling excitement that should have been the cornerstone of the film is strangely absent. Another major drawback is that Bloom and Knightley are unable to bring the element of romance that is necessary for the a film of this type. Bloom, with his clean cut good looks, is well cast in the role of the traditional leading man. Knightley remains a pretty but bland presence but the spark is not there – not for their romance and not for the film as a whole. What spark is provided comes via the wonderful Johnny Depp and the always reliable Geoffrey Rush. Both appear to have relished their roles and Depp in particular is able to get into the spirit of the film. His inept pirate is a standout. Sadly, then Pirates
of the Caribbean promises much but fizzles out to become a mediocre
effort elevated by the performance of Depp. What should have
been a swashbuckling, exciting romantic film is never swashbuckling
enough, never funny enough and never romantic enough. Nevertheless
the audience seemed to enjoy the film thanks largely to Johnny
Depp’s comic capers and much of the applause at the end
must have been for him.
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